Wizard World Chicago 2010: Day Three Comics Folks

Saturday, August 21, 2010

Michael Golden
Geof Darrow












I'm getting grumpy about this website's inability to give me the power of providing lotsa photos in one big mass titled "Here Are Lots of Photos." Because I'm loving my new camera (Canon Rebel T2i) which, even with its customary 18-55mm lens, is letting me take almost all photos with available light. I'm guessing its "Image Stabilizer" software hasn't hurt my photos, either. (Translation: If there's blurring, it's not because I'm not holding the camera steady - which is not to say that I'm actually holding the camera steady.) Anyway, here are three more photos.
Bill Sienkiewicz

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Wizard World Chicago: Day Three Dick Giordano Humanitarian Award

Jim McLauchlin
Talking with Jim McLauchlin at The Hero Initiative booth (apologies for the picture; memo to self: take a better photo of Jim), I learned that the organization devoted to helping comics professionals in difficulty has instituted an award in the name of Dick Giordano.
The Dick Giordano Humanitarian of the Year Award will make its debut at the Harvey Awards Banquet at the Baltimore Comicon Aug. 28-29. Giordano worked in the industry for decades not only as a famed editor and artist but also in support of his fellow professionals. He served on the board of directors of The Hero Initiative until his death earlier this year. "In honor of Dick," the organization has announced, "The Dick Giordano Humanitarian of the Year Award will recognize one person in comics each year who has demonstrated the generosity and integrity Dick brought to the charity, and comic-book community at large." The award has been crafted by Tommy Allison of Mad Robot Studios. Giordano's longtime friend, co-worker, and executor of his estate Pat Bastienne said, "So many people have referred to Dick as 'The Great Gentleman of Comics,' and I'm sure he'd love to see his name and legacy carried on, especially in such a wonderful way that honors others who have shown kindness and generosity. If Dick were here, he'd raise a Rob Roy and toast the idea."

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Wizard World Chicago: Day Three Oh, My Gosh, the Crowds

The morning started with a chat with Wizard's Gareb Shamus, as we both surveyed the line of Saturday-only attendees waiting to get in to buy their ticket to join the fun. The line (which had already begun to filter in through the convention center doors) was moving fast but still stretched further than I think I'd ever seen it at a Chicago comic-con. (The view above doesn't begin to capture it; this is a chunk of the portion that hadn't yet reached the covered entry area, which probably had a hundred or more closer to the door and a couple hundred more stretched along the building behind these folks - and there were still people approaching the building who hadn't yet joined the line.) Gareb mentioned the outreach into the community and commented that I'd be surprised how many in the crowd were first-time attendees.

So I approached a chunk of the line at random and asked each of about 50 people in turn, "Is this your first Chicago Comic-Con?" Slightly more than half said it was. There were many families coming as groups, often with toddlers in strollers, looking forward to the adventure. When I entered the hall, I was stunned to find the first booths in the hall jammed with people - and, as noted, most of the Saturday crowd hadn't yet entered the lobby to purchase their tickets. Here's a shot taken much later in the day from a vantage point overseeing a portion of the hall floor. Whuf!

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Wizard World Chicago 2010: Day Two You Can Get Sketches

Mont Blanc
Mike and the buyer
And "sketches" may not be the right word. Mike Grell, for example, was working on an elaborate "sketch" at the Hero Initiative booth - and even someone (like me) who wasn't paying for the art could watch a pro at work. This was a lovely pencil drawing, and we got into such discussions as pencil-art technique (including using graphite shavings to tone the art and kneaded erasers to highlight it) - and he even showed off his fanciest pencil: a Mont Blanc $300 automatic he'd bought at O'Hare. The primary pencil he was using was a Eberhard Faber "shaker": "I don't have to moderate my grip." When I told him I'd quote him on that, he responded quickly, "OK, Eberhard Faber: Send me a case!" Just saying.

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Wizard World Chicago 2010: Day Two: OK, More Photos

Sandra Taylor
Walter Koenig
Wrapping up the display of media celebrities, I should note that these were all just taken in passing as I walked through the aisles. I didn't wait in line, talk to the performers, or otherwise interact. You can do that. Just bring a camera and wait for opportunities. (And when, Maggie, will you get around to the comic book coverage? Well, not soon. I just realized I should be heading for the convention floor - in the conflict so intrinsic to convention coverage. I can be there taking photos and getting information to post - or I could be posting to this site. Gee.)

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