Thursday, February 13, 2025

Don Bibliography: A Flash-Gram 


Yay! I just got DC's Flash #126 (February 1962) from mycomicshop for a nice price! (It had been packaged beautifully and arrived in great shape! Thanks, mycomicshop!)


Why did I want it? I no longer had a copy and I needed one to help complete my collection of Our Stuff.



The installment of the "Flash-Grams" letters column is copyright 1961 National Periodical Publications, Inc., and I've trimmed extraneous from the scan. What's here is Don's letter - and the response by Editor Julius Schwartz.

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Wednesday, February 12, 2025

 Memories: Charles Schulz


Today's Morning Edition on National Public Radio included a feature on Peanuts creator Charles Schulz (November 26, 1922-February 12, 2000). It brought back memories of his kindness to fans.

When we'd written to ask him how we could buy the original art for strips that touched us, he replied that there was no charge. All we had to do was write to the syndicate, where such requests were given away on a "first come, first served" basis.

Don worked for the Cleveland Press - which carried Peanuts. That meant that Don saw comic-strip proofs in advance. It also meant that we had an added obligation to play fair. In 1972, when Don saw the strip for October 4 (copyright 1972 United Feature Syndicate, Inc.) days before it was to appear, we made a plan. Don went to the Post Office when it opened October 4 and sent our request via Air Mail Special Delivery.

No trouble for us. Thank you again, Mr. Schulz!

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Tuesday, February 11, 2025

Credits Where Due: Arthur Curtis



As I worked on the Don & Maggie Bibliography, I came across a credit for "Time Travel" The Fantasy of Science Fiction" in Marvel Preview #15 (Summer 1978) for Arthur Curtis.


Hmm. Don's middle name and my maiden last  name? What was up with that? And the contents-page credit called Arthur Curtis "One of SF's most perceptive critics." Um?


Then I saw why. The article was an introduction to the adaptation of Don's "Worlds Enough," which had originally appeared in Sandra Ley's 1976 Pocket Books anthology Beyond Time. Marvel Editor Rick Marschall clearly needed a perceptive critic to introduce it. Hee!




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Monday, February 10, 2025

 Memories: CBG in 1996

This photo ran in Comics Buyer's Guide #1162, as we celebrated the anniversary of the publication's creation by Alan Light, who had transferred its ownership to Krause Publications with #482.


Standing left to right in the February 23, 1996, issue: Advertising Sales Staffers Jim Owens, Cheryl Clementi, and John Diser; Advertising Sales Asst. Lori Hauser; News Editor Michael Dean; and Associate Editors John Jackson Miller, Joyce Greenholdt, and Brent Frankenhoff


Seated left to right: Advertising Sales Manager Jim Felhofer, Publisher Greg Loescher, and Editor Maggie Thompson.



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Sunday, February 9, 2025

Don & Maggie Bibliography

Unknown Worlds 1976

As I began to compile a bibliography of Don and Maggie Thompson Published Stuff, I came across this. The bibliography entry would read something along the lines of Unknown Worlds of Science Fiction (Marvel) Vol. 1 1976 "Fantastic Worlds." (The table of contents says it's "A look at the fantastic world of SF fandom, conducted by two of its most celebrated members." Also on the contents page, I note that we're listed as "Staff and Such," along with Gary Friedrich, Ralph Macchio, Jim Novak, and Denise Wohl.)



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Saturday, February 8, 2025

 My Anecdotage: Mr. T

He came to national attention in such entertainment as The A-Team and Rocky III and was identified with the Rocky III catchphrase "I pity the fool."


The first issue of Mr. T and the T-Force came from Now Comics in 1993. The Now Comic Card that came with the first issue described him: "A three time city wrestling champion, Mr. T was also a star football player at Chicago's Dunbar High School, where he received his diploma. He is living proof of his motto: 'Don't be a fool...stay in school!'" The Now Comics folks invited Don and me to discuss the project - and we ended up at lunch with them and Mr. T on February 3.


That business lunch was at Bob Chinn's Crab House in Wheeling, Illinois, a large and excellent restaurant that the Internet assures me is still there. And it was there that Mr. T told us that his goal in being involved with the comic book was to encourage kids to read. As he told Stephen in an interview later that year, "If I couldn't read, I wouldn't have gotten the part in Rocky III. If you can't read, the only thing you can do is enjoy the pictures, not the whole story. Reading is the key to knowledge. Knowledge is the key to understanding. So read on, young man! Read on, young lady!"


That restaurant meeting was memorable in many, many ways. Mr. T never got to eat. He'd brought with him a case of photos so that anyone who wanted an autographed picture could have one. And people (including restaurant staff) lined up for the treat. (Yes, we got that treat, too.) He was brilliant, painstaking, and kind to all.


And later? As an unexpected bonus for us (and a tribute to the trade journal we were producing), he (and Now Comics) sent us this poster.


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Friday, February 7, 2025

 Don & Maggie Bibliography: THOR #280


Marvel's Hyperion first appeared in The Avengers #69 (Oct 1969) and was Marvel's take on Superman. The Superman film starring Christopher Reeve as the DC character was released in 1978.

Don and I combined those elements and came up with the plot for "Crisis on Twin Earths" for Marvel's Thor #280 (Feb 1979).

And - wow! - Superman artist Wayne Boring collaborated on the art.

The story has been reprinted in such publications as Marvel's Thor Epic Collection #9 (2023).

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Thursday, February 6, 2025

 

Up and AT THEM!


Huzzah! I quote “Rainier Wolfcastle” [voiced by Harry Shearer] in The Simpsons Season 7, Episode 2 (September 24, 1995) “Radioactive Man.”


Rainier Wolfcastle: Up and at them.

Acting Coach: No, “Up and atom.”

Rainier Wolfcastle: Up and at them.


More than a decade after my last post on this website, I’m up and at them again! Woo hoo! 

(Time for a tip of the Thompson Topper to John Jackson Miller and Garrett Ryan Design for making it possible. I write and edit; I know almost nothing about websites.) 

In preparation for today, I found that I’d posted at least from March 9, 2008 to May 23, 2014. When I explore further, I may find installments that precede and follow those. (Looking at Blogger today, it says I had 220 posts before this one.) Right now, I’m just focused on getting my act together. (I did create a folder labeled “Maggie Anecdotage” and came up with five or so potential entries, so there’s that.)

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Remembering Don Thompson

Friday, May 23, 2014

Two decades ago - Don didn't wake up. The day before, he had one of the best days he'd had in months. After weeks and weeks of health crises and now-and-then emergency room visits, he was restored: happy, energetic, and gloating with me over how proud and delighted we were about our kids and our lives.
We'd driven home from Madison after Stephen's graduation ceremonies on Saturday: Both Valerie and Stephen were through with college, both were doing brilliantly, and all was well with the world on a sunny May day. We'd driven by fields where sprinklers had been encouraging just-planted crops - and the sprays of water had made rainbows as we traveled. On his way to the house, Don plunged his face into the sprays of lilac blossoms blooming next to the garage, and we basked in the glories of the day and our lives.
It had been a wonderful weekend.

Don died May 23, 1994 - and, thanks to our work together in those pioneering days of comics fandom, many of our friends in that world thought of him solely in those terms. But he was brilliant in too many ways to list here. Even as a college student in the Journ School at Penn State, he was active in student radio (WDFM, where his work included his "Dead Air" show devoted to comedy and his other stint devoted to folk music) and the student science-fiction club. It was his SF fan activity that led to our meeting in 1957 - and we attended Detroit and Pittsburgh WorldCons separately before we were married and then many other SF cons big and small afterward. His "The New Science" in Venture Science Fiction opened the door to his membership in Science Fiction Writers of America, where he served a term as one of its officers.

His knowledge was encyclopedic, his reading speed was swift, and, wow, he was fun.

Following 1960 graduation from Penn State, his newspaper career lasted for more than two decades at The Cleveland Press (a job he'd chosen to be near to where I was attending Oberlin College), and his assignments included the financial department, police beat, suburbs, and copy desk with byways including writing feature articles and folk music, science-fiction, and fantasy reviews. The Press left Cleveland - and so did we, when our mutual hobby of comics turned into our mutual profession of editing collector publications.

We were lucky: We got to work and live together all day every day for more than two decades. We were granted the delights of two fantastic kids - and those kids continue to be a constant joy. Today, we share the pleasures of remembering their dad. We were lucky we had him as long as we did. Love you, Don.

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I Collect So That I Have It

Tuesday, November 19, 2013

This is the week that the first auction of the Don and Maggie Thompson Pedigree comics collection will be held, offering a few of the valuable comic books that we bought over the years. Maybe you've seen this feature or this one - and, at a guess, there will be more. The pricey issues aren't in my house any more. First, it was scary to have valuable stuff in my home. Second, it was intimidating to have to care for them. Third, Heritage Auctions' Steve Borock helped me to work out a way to have them after they're gone.

Because my collecting began so that I could have what I want when I want it.

When I was learning to read and such comic-book creators as Walt Kelly and Carl Barks were telling me fresh stories every month, I also learned that what I didn't buy one month would be gone forever the next. I haunted the newsstand and planned my allowance accordingly, because I wasn't going to get another chance at those issues. I certainly was never going to find them at the library.

And pop culture (a term years away from its coining then) was fleeting. Daily newspapers were discarded. Movies passed through theaters in a flash. Even more transitory were the weekly visits of such favorites as The Shadow, Suspense, and Jack Benny. Gone. They could be no more than memories.

Lesson learned: When you appreciate something enough to want it with you - to be able to have it if you want to check a fact or revisit an entertainment at 2 a.m. - you'd better collect it. This lesson learned has a variety of results. If many other people have that same appreciation for an item but don't have the item, it may become valuable. If no one else gives a hang for it, you're going to have to deal with storing it so that you can enjoy it again.
My collection of old cassette tapes?
Not so valuable to other folks.

But sometimes, belongings become too valuable. What if there's a fire? A flood? A windstorm? What if, when you are scanning a page of a comic book, you actually hear the cover begin to tear at the staples? Given that we are only temporary custodians of what we own, we should take the best possible care of our treasures - and then pass them on.

And - lucky for me - we live in an age in which having kept comics in great condition makes them worth more. Because (as you know if you've followed those links earlier) the goal is to replace them with comics in rotten shape: copies that are so beat-up as to be the cubic zirconia to the disposed-of diamonds. So I'll have them, even while I'm getting rid of them.

And the proceeds from the auctions (of which this is, as I say, the first) will go, first, to paying the capital gains tax and, second, to the custody of the guy who's been my financial advisor since before Don died. Last week, he frowned as he threatened, "You know, you could live 20 more years."

So no mink sandwiches. And I hope the new owners will get as much pleasure and use out of my comics as I did.

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Betsy Curtis September 17

Tuesday, September 17, 2013

Betsy Curtis was born 96 years ago today - and married 72 years ago today. And yesterday - yes, just yesterday - I finished preliminary proofreading of my transcription of her 14 published stories. Because I'm in the midst of a project that will be a rarity: the edited collection of all the published stories of a pioneering woman science-fiction writer. (Part of the fun will be its existence as a three-generation project: stories by my mom, editing by me, and design by my daughter, Valerie.) My next step will be to edit all 14 (roughly 100,000 words) into my favored formats (Oxford comma, typos repaired, etc.). Happy birthday and anniversary, Mom! Hope my tinkering doesn't bother you - and wish you were here to participate!

Thanks, too, Mom, for providing reproof to me for not posting on this site since I left the offices of Comics Buyer's Guide. Just yesterday (again!), I uncovered the manuscript for a proposed collection of her poetry. She was (in the terms of a George Price cartoon she had attached to the 20-gallon crock she used to make home brew) "a very remarkable woman" - and, I think, a compulsive, playful writer. In honor, then, of the folks who haven't seen posts from me in more than half a year (and who, giving up, may not see this, either), here's Mom's "No Word from Thee." (She guessed at the year of composition as 1938, not long after the time this photo was taken.)

When for a time I've had no word from thee,
Strange causeless fears my mind do oft oppress
And add a terror to my loneliness
From which no reasoning can set me free.
I fear that thou perhaps unwell may be
Or caught in trouble's grip; and then I guess
Thou findst in me some grievous faultiness:
Conscience and apprehension well agree.
     I know thy labors have enforced charm;
I know thine hours for letter writing few;
I'm sure thou hast not met with any harm.
     Why should I fear? Knowing thy love is true,
I need not feel unwonted grave alarm.
--I know not why I should, and yet I do.

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A Clean Office at Last!

Friday, January 11, 2013

Photo credit: Brent Frankenhoff

After 30 years!

Now, I begin to organize plans so as to get done many of the projects that have had to wait "until I have more time." It's exciting!

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CBG Staff Released Neat Books in 2012

Thursday, January 10, 2013

As I look back over the years at Comics Buyer's Guide, I'm reminded that 2012 saw Brent Frankenhoff and me coming up with three books in addition to the 12 monthly issues of the magazine.

They are Comics Buyer's Guide Presents Dangerous Curves, Comics Buyer's Guide Presents the Greatest Comic Book Covers of All Time, and A Parent's Guide to the Best Kids' Comics. Each is fun, the first two basically being romps through the wonder world of comics images and the last being A New Concept.

A Parent's Guide to the Best Kids' Comics was my concept, born out of ongoing questions I've received in the past couple of years, questions that boiled down to, "What comics do you recommend for my kids to read?" I figured that what was needed was more than an article: It needed, not only recommendations, but samples of those recommendations so that adults and kids could see at a glance what looked good to them. And the recommendations needed to come from experts who knew that specific field, top to bottom. So I came up with the format - and we found top experts (Scott Robins and Snow Wildsmith) to provide the actual information. I see from the link I've just provided that the book is on sale at a whopping discount at the moment: a word to the wise.

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Maggie's World Begins, Comics Buyer's Guide Ends with #1699

Wednesday, January 9, 2013

The press release concerning cancellation of Comics Buyer's Guide with #1699 appears on the magazine's website.

It's been a delight to have had the opportunity for the last three decades - plus a prior decade with the magazine's creator, Alan Light - to communicate so wonderfully with comics collectors, comics fans, and comics professionals. Over the years, we were able to reach out in a variety of ways, including coming up with the term "Done in One" (to identify stories told completely in one issue, announced in CBG for April 5, 1996). We also helped create a trade journal that was the inciting force behind the Free Comic Book Day outreach project that Diamond Comic Distributors implemented and that continues every May. Don and I were excited by Krause Publications' challenge of revamping an advertising newspaper into a full-fledged information resource. It has been an energizing challenge to adapt to the changes of the field, as it grew from a niche interest to something popular enough to command the covers of national pop-culture magazines.

John Jackson Miller has provided a look at the history of CBG on his website; check it out!

How about me? Hey, the same week that Krause Publications announced the end of CBG saw the first installment of my contribution to a new outlet for me: a monthly post on Comic-Con's "Toucan" blog. Hope you enjoy it!

Onward!

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A Derivative Ghost Story

Wednesday, October 31, 2012


A few weeks ago, the folks at Wisconsin Life announced a competition in ghost writing. Wait. That's not quite what I mean. The competition was not to write under a pseudonym. It was a competition to write an entirely original ghost story in fewer than 600 words.

The resultant entries chosen for broadcast appear online - though, for reasons I do not comprehend at the moment, Wisconsin Life has opted for a format not designed to be accessed on one of today's most-used Internet-access tools (which is to say, iPads, such as the one on which I'm writing this). In any case, the challenge was to write an (it was emphasized) original story. Which made me wonder what a derivative tale might resemble. So I sent to the competition the following non-contribution, which I now share with you. Happy Halloween!

This is not an entry in the Ghost Story competition for several reasons: (1) With the exception of one substituted word, it is not original. (2) I don't think I could compete in any case, because my son works for National Public Radio. (3) I'm a friend of the judge. But the challenge itself enticed me, what with its insistence that the story be wholly original. "So," I said to myself, "what would be the opposite of that? A derivative ghost story, of course!" So I played a bit with that concept, keeping within the total word limit, and thought you might find it similarly amusing. As a NON-entry, then, it is offered in the spirit of exploration - and you're certainly free to do what you like with it, since it's public domain in any case.

Here you go:

Derivative Ghost Story


I … had not been asleep long when I was awakened by the continual repetition of a monotonous sound. [“The Spectre in the Cart” 1904 by Thomas Nelson Page, 19 words]

“She is below,” I thought, “and terrified by my entrance has evaded me in the darkness of the hall.”

With the purpose of seeing her I turned to leave the room, but took a wrong direction - the right one! My foot struck her, cowering in a corner of the room. [“The Moonlit Road” 1909 by Ambrose Bierce, 51 words]

She looked straight into my eyes. “Dear, do you not understand? Have you forgotten? I died three years ago today.” [“The Bridal Pair” 1902 by Robert W. Chambers, 20 words, replacing “his” with “my”]

On her limbs was the stiffness of death, and on her face, in the fading light of the sun, the terror of something more than death. Her lips were parted in entreaty, in dismay, in agony; and on her blanched brow and cheeks there glowed the marks of ten hideous wounds from two vengeful ghostly hands. [“The Romance of Certain Old Clothes” 1885 by Henry James, 56 words]

“This is too much!” cried I passionately, and convinced that I was the victim of a trick, though how such a trick could have been effected, I did not care to consider. [“The Underground Ghost” 1866 by John Berwick Harwood, 32 words]

As soon as I had partially recovered my comprehension I rushed madly to the door, with the dim idea of beating it in. My fingers touched a cold and solid wall. There was no door! [“The Lost Room” 1858 by Fitz-James O’Brien, 35 words]

Life is very much more exciting now than it used to be. You see I have something more to expect, to look forward to, to watch. [“The Yellow Wall Paper” 1892 by Charlotte Perkins Gilman, 26 words]

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The Shock of Nostalgic Recognition

Wednesday, September 12, 2012

The American Association of University Women first attracted my attention decades ago by the quality of its incredible used-book sales. While the AAUW is laudably devoted to such efforts as supporting education for women, I confess it was the lure of massive quantities of used books that drew me to the organization. This year, I'm targeting the 76th annual book sale of the Appleton, Wisconsin, branch; it's scheduled for October 25-28 in the Northland Mall, and high-energy sorting activities have been going on for many, many days. I'll be donating a considerable run of American Heritage, myself - thereby clearing some bookshelves and hoping to find a home for a publication I've loved but haven't consulted for some time.


But one of the delights of handling hundreds of discarded books is stumbling over unusual items - often, those of no interest to most prospective purchasers. Case in point: the shock I got when I picked up a tattered book titled Mr. and Mrs. Mouse. Credits on the title page are as follows: Illustrated by Ida Bohatta Morpurgo. English Version by June Head. Publishing information ran: Ars Sacra, Herbert Dubler, Inc., New York, N.Y. It was copyright 1943 by Herbert Dubler, Inc. And, yes, I'd absolutely had a copy - last seen probably 60 years ago. I hadn't been looking for it. It had never entered my thoughts later. But it evoked a double-take and an ensuing quick grab, followed by residence in my tote bag and an IOU in the cash can.

An online search has turned up little information. "Ida Bohatta" was apparently a popular German illustrator of children's books, and a Google search of images shows the book cover, where it's titled Mauschen Sorgen. So was the U.S. version in any respect outstanding? Well, after I finished reading it, I did, indeed, savor one entry - a poem accompanying this illustration - which I think became something of a family saying:

"I have the most astounding news,
The best you've heard for ages,
They're giving bits of cheese away
In pretty wire cages."

"Don't you be taken in, my dear,"
Said cautious Mrs. Grey.
"I never trust the humans when
They give their cheese away."

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Keepsake Closeup

Tuesday, September 11, 2012


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Keepsake


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Comic-Con Hint: Use Your Camera to Take Notes

Friday, July 13, 2012

Jim Sokolowski
Dave Olbrich
Yesterday, I whined about not having time to post, if I also took time to be active in convention activities, and it continues to be true. In the moments I'm taking before leaving for the show, I downloaded a bunch more photos and realized that I can use pictures to remind myself of conversations that I'll be able to refer to later. Because I know full well that I will quickly otherwise be lost in a haze of dimly remembered events. And it's not because of what I've drunk; it's because there is just too much to remember. Case in point came this morning as I transferred photos from my camera to my laptop for a backup (a good idea, by the way; you can at least salvage a chunk of what you've done, if your camera is stolen or dies). I'd forgotten till I looked at the photos that I'd had a laugh-filled pre-show exchange with Dave Olbrich and Jim Sokolowski in which we chatted happily about the long-ago days when Dave (with Malibu) and Ski (with Marvel) lived through the acquisition of Malibu, the marketing of the time, and so on and definitely so forth. And, in the midst of all that, we were delighted to see Jim Lee with his family cheeerily preparing to enter the floor. (Mind you, this morning I'm frustrated to realize I don't know the names of Jim's other family members, but I love the photo and hope someone out there can fill in the details. In any case, I'm just saying: Nice!)

Ski's now Archie Comic Publications' Senior Vice President of Sales and Business Development - and it is terrific seeing him again and - And if I don't post this right now, I'll miss the first panel I need to attend.

Jim Lee and Family

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2012 Comic-Con Preview Night

Thursday, July 12, 2012

I grabbed the chance to give Jill Thompson
a copy of our Parent's Guide to the
Best Kids' Comics. Her work is, of course,
recommended therein.
As ever, there are choices for bloggers, Tweeters, and the like at Comic-Con International: San Diego: doing or posting. Tweeting is simple, but even that means Taking a Moment. So you're in a world surrounded by activities and fascinating people and news - but TIME OUT! I've been taking notes about a vast variety of news, not to mention catching up with people I haven't seen for at least a year. And, to top it off, the jammed Preview Night is the least crowded the floor will be. So it meant lugging my two totes around, greeting with hugs, taking a few photos and moving along. (Moving along is a good idea; security is rightly keeping people from blocking halls and aisles. Rightly, because really. But it can be hard to grab a moment when at times you must, like a shark, keep moving to survive. Oh, come on. It's not that bad. Because really. But it's not the time for an in-depth interview.) The exhibitor booths are different. Given folks' need to do business so one shouldn't hog time, you can still talk to people. Which will be a goal for today. After I give blood. Which I need to head out to do now. Yikes!

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